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Thank you for attending the Dr. Frances Wood Lecture: A Musical Journey Along the Silk Road!

in Events 2014-2015, Events SYS Garden / by AdminArts
June 1, 2015

We had a wonderful turnout for the Dr. Frances Wood lecture and musical performance at the Dr. Sun Yat-Sen Chinese Classical Garden on Thursday, May 28. Thank you to Dr. Wood for her talk on Silk Road instruments and our performers Hamin Honari, Hossein Behroozinia, Zhimin Yu and Jirong Huang!

Here’s some pics from our Flickr photo album:

A Musical Journey Along the Silk Road: Pipa Performance by Zhimin Yu

Henan Woodblock Prints Exhibition February 28, 2015 – April 12, 2015

this entry has 0 Comments/ in Uncategorized / by AdminArts
February 18, 2015

Henan Woodblock Prints

Cultural China · Charming Henan –
Henan Woodblock New Year Prints Exhibition

文化中國 · 魅力河南 –  河南木板年畫展

The exhibition is in both English and Chinese.
Opening Reception: Saturday February 28th, 2015 2:00 – 4:00pm (free and open to the public)
Exhibition dates: February 28 – April 12, 2015
Tuesday – Sunday 11am-5pm
$3/adult, $2/senior or students. Free on Tuesdays. Members free.
Chinese Cultural Centre Museum, 555 Columbia Street, Vancouver, B.C. V6A 4H5, Canada
Organizer: Chinese Henan Provincial Administration of Cultural Heritage
Co-organizer: Chinese Cultural Centre of Greater Vancouver, Kaifeng City Museum, Anyang Museum
Inquiries: 604.658.8880, www.cccvan.com

開幕禮:2015年2月28日(星期六)下午二時(免費活動)
展覽日期:2015年2月28日-4月12日
周二至周日上午11時至下午5時開放。
門票:$3/成人,$2/耆英、學生。每周二免費開放。文化中心會員免費參觀。
地址:大溫哥華中華文化中心文物館,加拿大溫哥華哥倫比亞街555號

Henan Woodblock Prints Part 2
主辦:中國河南省文物局
承辦:大溫哥華中華文化中心、開封市博物館、安陽博物館
查詢:604.658.8880  www.cccvan.com

Textile Symposium from Interwoven Stories: Textiles, Costumes, Cultures

  • Jean Kares Delivers a CSAA Co-Sponsored Lecture at the CCC.
in Events CCC, News / by AdminArts
February 6, 2015

A great turnout for the Textile Symposium held on January 31st, 2015 for Interwoven Stories: Textiles, Costumes, Cultures!

Also, see the Media Coverage from Fairchild Television (in Chinese).

 

CSAA 2014 AGM

in News / by AdminArts
January 28, 2015

NOTICE of 2014 ANNUAL GENERAL MEETING

Members of the CSAA are hereby notified that the 2014 Annual General Meeting of the Society will be held

3:30 – 5:00pm, Thursday, February 12th, 2015

at

The Chinese Cultural Centre of Greater Vancouver Museum

555 Columbia Street, Vancouver, BC V6A 4H5



You are invited to attend the Society’s AGM,

to be held in conjunction with the exhibit

Interwoven Stories: Textiles, Costumes, Cultures –

A Multicultural Fest, at the CCC Museum, 2nd Floor.

Jean Kares, the textile specialist and Curator of Interwoven Stories, will

offer an engaging talk and tour of selected Asian textiles.

Light refreshments will be served.

After the AGM and talk, at 5pm members are welcome to meet for a delicious no-host dinner

at

Szechuan Chongqing Bistro,

88 West Pender Street
Unit 2029 (International Village)
Vancouver, BC V6B 6N9

The agenda for the meeting includes presentation of CSAA Reports and Financial Statements as well as election of Directors.

CSAA members in good standing are invited to vote on Society business. Please remember to renew your membership in advance of the meeting to ensure your active voting status.

Questions regarding the Annual General Meeting may be directed to:

Margo Palmer 604 266 6298

Jan Walls 604 317 0135

or at csaa@telus.net

The Legend of Red Peony, April 18, 2015 by Vancouver Cantonese Opera

in Uncategorized / by AdminArts
January 23, 2015

The Legend of Red Peony

Dr. Sun Yat-sen Classical Chinese Garden: 21st Annual Winter Solstice Lantern Festival

in Events 2014-2015 / by AdminArts
December 9, 2014

Dr. Sun Yat-Sen Classical Chinese Garden
in Partnership with the Secret Lantern Society proudly presents:
The 21st Annual Winter Solstice Lantern Festival.

Sunday, December 21, 2014
from 6pm – 10pm at the Dr. Sun Yat-Sen Classical Chinese Garden

Tickets:
Online at https://wintersolstice-2014.eventbrite.ca
(must bring ticket printout)
$5 per person
OR $10 for a family (2 adults + 2 children)

Garden Members will receive express entrance from 6:00-6:30pm and complimentary hot beverage.

This winter impress your holiday guests as the World’s Top City Garden celebrates Winter Solstice. To astonish and excite are the goals of the evening as we carry on this ancient Chinese tradition with handcrafted glowing lanterns, musical performances, spicy dragon tea and tasty treats. Bring back the light into the longest night of the year with your family and friends.

What is Winter Solstice?

For thousands of years, cultures around the world have celebrated the Winter Solstice – the time when winter reaches its depths, and when days begin to grow longer as nature heralds the spring. In China, the Winter Solstice celebration (dong zhi) is a time when family and friends gather together, exchange gifts, eat, drink and laugh long into the deep dark night. There is a Chinese proverb that signifies its importance:  冬大過年 (Winter Solstice is more important than Lunar New Year).

Dong zhi is linked to the Chinese belief in the balance of the opposing elements of yin and yang. The yin qualities of darkness and cold reach their fullest on Winter Solstice. However, with the fullness of yin comes a turning point – a rebirth – as darkness gives way to the yang qualities of light and warmth, when winter waxes and spring approaches.

Thank you to our sponsor:

 

International Arts Gallery: Wu Guoyan Exhibition, Dec. 13-19, 2014

in Uncategorized / by AdminArts
December 9, 2014

Taiwanese Puppetry at the MOA

in Uncategorized / by AdminArts
October 28, 2014

Ouxi Taiwanese Puppetry Festival

November 4-9 2014
November 4-9


 program-ouxi2-300x224
MOA is pleased to launch Spotlight Taiwan, a new initiative that focuses on Taiwan’s complex and multicultural identity. For the next four years, MOA will explore Taiwanese culture as expressed through its performing arts, religions, living cultural representatives, and highly innovative heritage institutions. Spotlight Taiwan is made possible through the generous support of the Ministry of Culture, Republic of China (Taiwan) and Dr. Samuel Yin.MOA有幸發起『聚焦台灣』– 一個專門研討台灣複雜且多元性文化的創舉。再來的四年中,MOA將透過表演藝術、宗教、台灣現代文物代表、和祖宗傳承習俗來探索台灣文化。Ouxi Taiwanese Puppetry Festival
November 4 – 9, Michael Ames Theatre
The Taiyuan Puppet Theatre and the Chin Fei Feng Marionette Theatre Troupe from Taiwan will be at MOA offering puppetry workshops, school shows and public performances.  

School Shows (Elementary & Secondary)
Tuesday, November 4 to Thursday, November 6 10:00 am & 12:30 pm
$12/student, reserve by emailing bookings@moa.ubc.ca
A 90-minute program of short puppetry plays and a behind-the-scenes look at how the puppets move, followed by an art activity where students paint their own puppet.Meet+Greet+Eat
Friday, November 7, 6pm – 9pm
It is a common practice for the puppeteers to make and share food when traveling for performances. In keeping with this tradition, MOA is hosting a community dinner. Share a meal with visiting Taiwanese puppeteers and local First Nations artists.
$20, buy your ticket at moa.ubc.ca/eventticketsPublic performances (all ages)
Saturday, November 8, 11am & 2pm
Each performance includes two plays performed by two Taiwanese puppetry troupes, more information listed below.
Free with Museum admissionA Sea of Puppets: Taiyuan Puppet Theatre Company  A Sea of Puppets is a traditional Taiwanese glove puppet show performed on a beautifully carved wooden stage. They perform not only delicate gestures, but also exciting fighting scenes and acrobatics. Performed without words, the story is a romantic tale where a young man saves a girl from the hands of a villain.

The Beauty of Taiwanese Marionette Theatre: Chin Fei Feng Marionette Theatre Troupe  Chin Fei Feng introduces the characters of traditional Taiwanese marionette theatre. Accompanied by traditional music, the puppeteers animate characters such as lions, men on horseback, warriors, and acrobats. The performance is full of excitement, sounds and colours. A Cultural Exchange
Sunday, November 9, 3pm
Visiting Taiwanese puppeteers will spend the day in creative workshops with Haida artist Gwaai Edenshaw and Haida storyteller Kung Jaadee (Roberta Kennedy). At the end of their day, they will present a collaborative, cross-cultural, experimental puppetry performance. Join us for the excitement.Free with Museum admission, Admission is always free for Aboriginal visitors

Vancouver Art Gallery Launches Institute of Asian Art

in Uncategorized / by AdminArts
October 27, 2014

From the Asia Pacific Foundation of Canada: The Vancouver Art Gallery announced the launch of the Institute of Asian Art, which will expand and further develop the Gallery’s exhibitions, public programs, and permanent collections dedicated to the visual arts of Asia, with particular focus on China, India, Japan and Korea. The Gallery has created an endowed senior curatorial position for Asian art and will form an international advisory council to help support the Institute’s diverse range of programs. The Gallery also plans to dedicate permanent space in its new building to Asian art.

Read more here.

 

Upcoming Workshop and Lectures with Dr. Charlotte Von Verschuer

in Uncategorized / by AdminArts
October 17, 2014

GE DIGITAL CAMERAThanks to the Peter Wall Institute for Advanced Studies and the Consulate General of Japan in Vancouver, Professor Christina Laffin will be hosting Dr. Charlotte von Verschuer from the École Pratique des Hautes Études (EPHE) for a weeklong visit as part of the French Scholars Series.  Through the support of the Robert H.N. Ho Family Foundation Program in Buddhism and Contemporary Society, the Institute of Asian Research, and the Department of Asian Studies Yabe fund, Dr. von Verschuer will join us for a workshop on a medieval scroll and two public lectures.

Dr. Charlotte von Verschuer’s historiography bridges the fields of institutional history, geography, art history, philology, cultural history, and literary study in analyzing the physical remnants of the past millennium in Japan. Recent journal articles have challenged conventional wisdom on subjects such as rice consumption and the aesthetics of premodern beauty. Utilizing an innovative and transdisciplinary approach, Dr. Charlotte von Verschuer reveals new answers to questions about trade, farming, crafts, diet, and clothing.

Trained at the École pratique des hautes études (Paris), the Institut national des langues et civilisations orientales (Paris), Bonn University (Germany), the National Palace Museum (Taipei), the International Christian University (Tokyo), and the University of Tokyo, Dr. von Verschuer’s work draws from historical written sources, archaeology, visual materials, as well as material culture and craft objects (including ceramics, lacquer, and textiles). She combines her philological research with an anthropological approach influenced by the French Annales school. Her interests include material culture, economic history, and foreign relations including trade. Recent studies have encompassed agricultural history and food history.

Dr. von Verschuer has authored or co-edited eight books and more than 50 articles in French, English, German, and Japanese. Her publications include monographs on premodern East Asian commerce and rice cultivation, as well as collaborative projects such as the French/English Dictionary of Sources of Classical Japan.

Monday, November 3 (10 am-3 pm), Asian Centre 604

Dr. von Verschuer will lead a workshop on The Illustrated Biography of the Priest Ippen (Ippen shōnin e-den, 1299). The workshop is aimed at graduate students, faculty members, and curators, but all are welcome!

Made possible by the Consulate General of France and the Peter Wall Institute for Advanced Studies through the French Scholar Series. Co-sponsored by the Robert H.N. Ho Family Foundation Program in Buddhism and Contemporary Society, the Centre for Japanese Research, and the Department of Asian Studies

HB40a


Thursday, November 6 (noon-1:30 pm), CK Choi 120

A public lecture on Rice in Japanese Culture: Myth and Reality from a Premodern Perspective
*Lecture will include a rice and sake tasting while quantities last.

Considered the traditional staple of the Japanese diet (an assumption Dr. von Verschuer has recently challenged), rice has been used as a form of currency and a method of land division in Japan. The history of rice reveals demographic changes, economic transformations, and even artistic developments. This lecture will present a historical outline of Japanese agricultural traditions from the 8th to the 18th centuries. We will examine the rice growing process in Japan from medieval to modern times, drawing from 18th-century illustrations and mid-20th century photographs. How do historical sources compare with the mythology of rice in Japanese culture? How is rice grown in a country that is dominated by mountainous forests? For over two millennia, the bio-diversity of Japan has enabled multi-crop cultivation, including rice, as well as practices of gathering and collecting. Dr. von Verschuer will illustrate the diversity of medieval agricultural traditions through paintings, ethnographic photographs, and her own fieldwork. A central activity for many premodern societies, agriculture still employs 40% of the world’s population. As demand for increased crop production increases, traditional techniques for sustainable agriculture are being re-examined, included crop rotation and catch cropping, approaches that were widely practiced in premodern Japan.

Made possible by the Consulate General of France and the Peter Wall Institute for Advanced Studies through the French Scholar Series. Co-sponsored by the Institute of Asian Research, the Centre for Japanese Research, and the Department of Asian Studies.

C17

Friday, November 7 (6-7:30 pm), CK Choi 120

A public lecture on The Trousseau of a Japanese Noblewoman

In the year 1146, Fujiwara no Chikataka (1099-1165) presented his daughter with a boxed set of articles for her wedding. He ordered several prominent craftsmen to make the wooden case and adorn it with the most elaborate lacquer techniques of the time, including mother-of-pearl inlay and gold dust designs. This piece of furniture was meant for the private salon of the lady and was fitted with the daily utensils she would need during her life time. The “Compendium of All Essential Implements” (Ruiju zatsuyōshō, 1146), a handbook on the interior design of the Fujiwara Residences, gives a detailed account of its shape and contents. The implements include make-up and other beauty articles, writing accessories and stationery, three miniature poem compendiums, incense and perfumes, as well as medicines. These accessories show the fusion of elegance, poetic taste, and physical beautyin medieval Japan and epitomize the concept of beauty regardless of form. Each item within the trousseau was highly valuable, such as exotic aromatics imported from the Asian continent. The boxed setthus served as a trove of treasure and a symbol of wealth. We will analyse its contents from the perspectives of art history and  material culture and consider the craft and artistry behind each item. The lecture will show how this trousseau presents a miniature yet full spectrum view into the daily life and customs of a noblewoman of twelfth-century Japan.

Made possible by the Consulate General of France and the Peter Wall Institute for Advanced Studies through the French Scholar Series. Co-sponsored by the Institute of Asian Research, the Centre for Japanese Research, and the Department of Asian Studies.

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